Wednesday, November 25, 2009

Experience of Painting

 








My travels recently have taken me to scenery near water, be it oceanside or mountain lake. Working plein air with watercolor, the excitement of the moment can sometimes be captured with a surface freshness that is compelling. When I take this experience, with some photographs, back to the studio to start an oil painting, a different process evolves. What was once a momentary image spreads out to several months of shifting views. This slower process challenges me as I observe the intricacies sunlight can produce on water or land. Memories of the original experience slowly unfold.


























I discovered in nature the nonutilitarian delights that I sought in art. Both were a form of magic, both were a game of intricate enchantment and deception.
--Vladimir Nabokov, Speak, Memory









Scenery seems to wear in one's consciousness better than any other element in life.... I have often been surprised to find what a predominant part in my own spiritual existence it has played....
     -- William James






Seventh-century Chinese Chan Buddhist master Hongren advised:  Work, work!... Work!  Don't waste a moment... Calm yourself, quiet yourself, master your senses.  Work, work!  Just dress in old clothes, eat simple food...Work, work...Work!

Monday, November 23, 2009

Resume



Solo Exhibitions


Chestnut Hill Gallery, Philadelphia, Paintings by the Sea, 2011
Artists House Gallery, Philadelphia, 2009
Chestnut Hill Gallery, Philadelphia, Wissahickon Oil Landscapes, 2006
F.A.N. Gallery, Philadelphia, Recent Watercolor & Oil Landscapes, 1998
Artists House Gallery, Philadelphia, Italian Journeys: Figures & Landscapes, Oils, 1996
Artists House Gallery, Philadelphia, Monhegan Island, Watercolors, 1995
University City Art League, Philadelphia, Oils & Watercolors, 1994
Alden Park Manor, Philadelphia, Italian Landscapes, Oils & Watercolors, 1992
Alden Park Manor, Philadelphia, Landscapes, Gouache, 1991
Art Alliance, Philadelphia, Saranac Lake, Watercolors, 1974

Group Shows

P.A.F.A. Fellowship Juried Show, 2013
     Awarded Lucy Glick Award for Excellence in Any Medium
P.A.F.A. Alumni Gallery Opening Exhibit, 2010
Bates College Museum of Art, Lewiston, ME, “The Environment of Landscape”, 2005
Krasdale Galleries, White Plains, N.Y., “The Artful Philadelphians,” Invited, 2005
Main Line Art Center, Invited, 2005
Swan Gallery, Invited, 2005
Woodmere Members Exhibition, 2002, 2003, 2004, 2005
     Awarded Albert W. Lofgren Prize for Landscape, 2002
P.A.F.A. Fellowship Annual, 2003, 2004, 2005
Fan Gallery Invitational, 1999, 2000, 2001, 2002, 2004
P.A.F.A. Alumni Juried Show, 2002
Philadelphia Sketch Club Juried Oil Paintings, 1998, 1999, 2002
Philadelphia Sketch Club Juried Watercolor Show, 1995, 1996, 1997, 1998, 2002
Artists’ Equity Millennial Juried Exhibition, 2001
Hahn Gallery, Philadelphia, 1976, 2001
103rd Annual P.A.F.A. Fellowship Juried Exhibition, 2000
     Awarded Jack Bookbinder Landscape Prize
Third St. Gallery 2nd Annual Juried Show, 1998
Penn Charter Annual Juried Show, 1998
Woodmere Art Museum 58th Annual Juried Exhibition, 1998
Juried P.A.F.A. Fellowship Exhibit, Chester Springs, PA, 1997
Thomas McCormick, Group Show, Chicago, IL, 1995, 1996-97
99th Annual P.A.F.A. Fellowship Juried Exhibition, Philadelphia, PA, 1996
Contemporary Realism II, Juror Sidney Goodman, 1996
98th Annual P.A.F.A. Fellowship Juried Exhibition, Westchester, PA, 1995
University of Pennsylvania Faculty Club, 1995

Group Shows as Member of Philadelphia Abstract Artists
Fleischer Art Memorial, Philadelphia, 1969
Philadelphia Art Alliance, Philadelphia, 1964
Tien Shsia Gallery, Philadelphia, 1962
Penn Center Gallery, Philadelphia, 1962
Philadelphia Gallery, Philadelphia, 1961
Philadelphia Gallery, Philadelphia, 1960
Fleischer Art Memorial, Philadelphia, 1959
Parma Gallery, New York, 1958
Fleischer Art Memorial, Philadelphia, 1957
Carlen Gallery, Philadelphia, 1957
Permanent Collections
Bates College Museum of Art, Lewiston, ME
Numerous Private Collections

Education

Fleischer Art Memorial, 1950-1955
Barnes Foundation, 1977-78
European Studies, 1979-1997
Pennsylvania Academy of Fine Arts, 1991-95

Abstractions






Abstract Expressionism. How exciting the words were to me back then. Once a month, a group of painters called the Philadelphia Abstract Artists would meet to discuss the new painting we were all involved in.  At the time, jazz, Zen Buddhism and beat poetry were in the air, and they seemed to strengthen the idea of the spontaneous gesture.  We were rejecting the past and inventing a new painting.  De Kooning was the painter most admired.










     



































Maine


June 9, 1997, Monhegan Island
I have been here ten days, completely cut off from radio, television, newspapers, and I am perfectly content.  I rise early, about 6 a.m., small breakfast, then off to paint somewhere.  Home for lunch, then back out again for the rest of the afternoon while the light is strong.  Come back, stretch a few watercolor papers, view what I have done, then a glass of wine on the deck to watch the glorious sunset, play the guitar a little, then read myself to sleep, usually about 9:30.  Looking forward to tomorrow.






Watercolors On Site